Morgan Evans-Weiler — Correspondences (CD)
Tracklisting
1. Correspondence I. (10:39) — First Correspondence realized by Joseph Clayton Mills
2. Correspondence II. Charged (3:04) — Second Correspondence realized by Fraufraulein
3. Correspondence II. Linear (4:32)
4. Correspondence II. Natural (4:56)
5. Correspondence II. Transparent (4:23)
6. Correspondence III. (24:01) — Third Correspondence realized by Sarah Hughes and Patrick Farmer
Format CD + booklet
Catalog Number EVSFT003CD
Press Release (PDF)
About
With Correspondences — the third release Editions Verde’s series "Seeing the Forest in a Tree" — Morgan Evans-Weiler explores one conceptual idea with three iterations realized by Joseph Clayton Mills, Fraufraulein, and the duo Sarah Hughes and Patrick Farmer. Evans-Weiler’s Correspondences came in the form of an invitation for these artists to interact with his score by the same name and each audial-sculptural realization (the visual aspect is highlighted in the included 16-page booklet) has its own ecological temperament of organic materials and balances within the eye and ear. As Hughes writes in the liner notes: “Morgan Evans-Weiler invited me to realise a new
score intended to be interpreted as both sound and sculpture. For me, these are similar materials: one, a contouring of duration, the other, a contouring of matter. Both are made coherent through processes of composition and/or placement in space.” These three carefully crafted recordings offer a rewarding listening experience for established fans of Morgan’s persistent and impassioned career as a performer and composer while those unfamiliar with Evans-Weiler’s previous work will undoubtedly feel an intrigue for the process and an appreciation for the experience to view his sonic sculptures from three angles.
Artist Bio
Morgan Evans-Weiler is an interdisciplinary artist, composer, and performer living in Philadelphia, PA. He performs often with the ensemble Ordinary Affects, and his works have been released on Another Timbre, Suppedaneum, and Rhizome.S.
Credits
released January 7, 2022
Composed by Morgan Evans-Weiler
All tracks produced, recorded, and mixed by the respective performers
Mastered by Luke Damrosch at Efferent Productions
Images provided by S. Hughes, B. Gromberg, A. Guthrie, and J. C. Mills
Design, layout, and production by Jordan Dykstra
First printing by Atomic Disc in November 2021, booklet printing by UPrinting
© & ℗ Editions Verde, 2021
*** Free Digital Files
If you would also like to receive the digital files for your CD purchase, please email your order number and we will send the MP3s.
Tracklisting
1. Correspondence I. (10:39) — First Correspondence realized by Joseph Clayton Mills
2. Correspondence II. Charged (3:04) — Second Correspondence realized by Fraufraulein
3. Correspondence II. Linear (4:32)
4. Correspondence II. Natural (4:56)
5. Correspondence II. Transparent (4:23)
6. Correspondence III. (24:01) — Third Correspondence realized by Sarah Hughes and Patrick Farmer
Format CD + booklet
Catalog Number EVSFT003CD
Press Release (PDF)
About
With Correspondences — the third release Editions Verde’s series "Seeing the Forest in a Tree" — Morgan Evans-Weiler explores one conceptual idea with three iterations realized by Joseph Clayton Mills, Fraufraulein, and the duo Sarah Hughes and Patrick Farmer. Evans-Weiler’s Correspondences came in the form of an invitation for these artists to interact with his score by the same name and each audial-sculptural realization (the visual aspect is highlighted in the included 16-page booklet) has its own ecological temperament of organic materials and balances within the eye and ear. As Hughes writes in the liner notes: “Morgan Evans-Weiler invited me to realise a new
score intended to be interpreted as both sound and sculpture. For me, these are similar materials: one, a contouring of duration, the other, a contouring of matter. Both are made coherent through processes of composition and/or placement in space.” These three carefully crafted recordings offer a rewarding listening experience for established fans of Morgan’s persistent and impassioned career as a performer and composer while those unfamiliar with Evans-Weiler’s previous work will undoubtedly feel an intrigue for the process and an appreciation for the experience to view his sonic sculptures from three angles.
Artist Bio
Morgan Evans-Weiler is an interdisciplinary artist, composer, and performer living in Philadelphia, PA. He performs often with the ensemble Ordinary Affects, and his works have been released on Another Timbre, Suppedaneum, and Rhizome.S.
Credits
released January 7, 2022
Composed by Morgan Evans-Weiler
All tracks produced, recorded, and mixed by the respective performers
Mastered by Luke Damrosch at Efferent Productions
Images provided by S. Hughes, B. Gromberg, A. Guthrie, and J. C. Mills
Design, layout, and production by Jordan Dykstra
First printing by Atomic Disc in November 2021, booklet printing by UPrinting
© & ℗ Editions Verde, 2021
*** Free Digital Files
If you would also like to receive the digital files for your CD purchase, please email your order number and we will send the MP3s.
Tracklisting
1. Correspondence I. (10:39) — First Correspondence realized by Joseph Clayton Mills
2. Correspondence II. Charged (3:04) — Second Correspondence realized by Fraufraulein
3. Correspondence II. Linear (4:32)
4. Correspondence II. Natural (4:56)
5. Correspondence II. Transparent (4:23)
6. Correspondence III. (24:01) — Third Correspondence realized by Sarah Hughes and Patrick Farmer
Format CD + booklet
Catalog Number EVSFT003CD
Press Release (PDF)
About
With Correspondences — the third release Editions Verde’s series "Seeing the Forest in a Tree" — Morgan Evans-Weiler explores one conceptual idea with three iterations realized by Joseph Clayton Mills, Fraufraulein, and the duo Sarah Hughes and Patrick Farmer. Evans-Weiler’s Correspondences came in the form of an invitation for these artists to interact with his score by the same name and each audial-sculptural realization (the visual aspect is highlighted in the included 16-page booklet) has its own ecological temperament of organic materials and balances within the eye and ear. As Hughes writes in the liner notes: “Morgan Evans-Weiler invited me to realise a new
score intended to be interpreted as both sound and sculpture. For me, these are similar materials: one, a contouring of duration, the other, a contouring of matter. Both are made coherent through processes of composition and/or placement in space.” These three carefully crafted recordings offer a rewarding listening experience for established fans of Morgan’s persistent and impassioned career as a performer and composer while those unfamiliar with Evans-Weiler’s previous work will undoubtedly feel an intrigue for the process and an appreciation for the experience to view his sonic sculptures from three angles.
Artist Bio
Morgan Evans-Weiler is an interdisciplinary artist, composer, and performer living in Philadelphia, PA. He performs often with the ensemble Ordinary Affects, and his works have been released on Another Timbre, Suppedaneum, and Rhizome.S.
Credits
released January 7, 2022
Composed by Morgan Evans-Weiler
All tracks produced, recorded, and mixed by the respective performers
Mastered by Luke Damrosch at Efferent Productions
Images provided by S. Hughes, B. Gromberg, A. Guthrie, and J. C. Mills
Design, layout, and production by Jordan Dykstra
First printing by Atomic Disc in November 2021, booklet printing by UPrinting
© & ℗ Editions Verde, 2021
*** Free Digital Files
If you would also like to receive the digital files for your CD purchase, please email your order number and we will send the MP3s.